Yet, nods to intersectionality, Critical Theory, or the de-colonial framework of the Left, aside, where identity politics protects Nicki, the whole Minaj situation to me screams postmodernism.
In one hand she’s a strong, empowered, woman of color, who turned her beauty and unique worldview into a monetary asset and became a female power-player on the entertainment stage, where entertainment and positions of power are traditionally the antithesis of what Nicki represents.īut, let’s be real… Nicki is hot, she’s fine, she exudes a sexuality of a natural woman of color femininity, a sort of beauty that taps into our primal ancestry where woman with curves with prized or worships, i.e., The Venus of Willendorf. I don’t hate Nicki Minaj, “per se”, though in one hand Nicki does have skeletons in the closet.
Minaj is like a toy created by a corporation who pushed a conspiracy that feeds back to the power of corporations and unhindered markets, largely since the pandemic stalled economic growth and the expansion of markets.
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